Suzanne is a pregnant country girl unable to support a third child. The Worm and the Apple. The progress of the women's movement as viewed through the eyes of two women in 70s France. One Sings, the Other Doesn't is at times very funny and at other times very angry and covers a long list of other emotions in between. Over the coming decades, Varda became a force in art cinema, conceiving many of her films as political and feminist statements, and using a radical objectivity to create her unforgettable characters. The intertwined lives of two women in 1970s France, set against the progress of the women's movement in which Agnes Varda was involved. Suzanne is a pregnant country girl unable to support a third child. From the director of Faces Places, Vagabondand Cleo from 5 to 7. Set against a backdrop of the women’s liberation movement of the 1970s, the film explores a surprising yet wonderful friendship between two women, and the connection between women in general. Full Cast and Crew | Official Sites | Company Credits | Filming & Production | Technical Specs. Ratings & Reviews. Pomme and Suzanne meet when Pomme helps Suzanne obtain an abortion after a third pregnancy which she cannot afford. One Sings, The Other Doesn't (1977) A 1977 French drama which follows the friendship of two women against the backdrop of the Women's Movement in France. At its core, though, it's a love story. Pomme is an aspiring singer. Suzanne has two children with the photographer and is expecting a third which she cannot afford to keep. WikiProject Film (Rated Stub-class) This article is within the scope of WikiProject Film. a 1977 documentary directed by Katja Raganelli, featuring an interview with Varda shot during the making of the film, plus on-set interviews with actors Valérie Mairesse and Thérèse Liotard, New 2K digital restoration, supervised by director Agnès Varda and cinematographer Charlie Van Damme, with uncompressed monaural soundtrack on the Blu-ray, PLUS: An essay by critic Amy Taubin and excerpts from the film’s original press book. One Sings, The Other Doesn't Agnès Varda focuses on the intertwined lives of two women brought together during the struggle of the women's movement in 1970s France. She describes her style as cinécriture (writing on film), and it can be seen in formally audacious fictions like Le bonheur and Vagabond as well as more ragged and revealing autobiographical documentaries like The Gleaners and I and The Beaches of Agnès. Her self-funded debut, the fiction-documentary hybrid 1956’s La Pointe Courte is often considered the unofficial first New Wave film; when she made it, she had no professional cinema training (her early work included painting, sculpting, and photojournalism). Initially divisive for its sunny, idealized view of female liberation, One Sings, the Other Doesn’t now seems all the more radical—and all the more vital—for its unabashedly utopian spirit. Directed by Agnès Varda. Opening Night of NYFF15. In the early 1960s in Paris, two young women become friends. The title is a perfect distillation of the film, two stories of very different women, tied not only by a shared trauma, but also by their… Thérèse Liotard, Valérie Mairesse, Robert Dadiès. In the early 1960s in Paris, two young women become friends. Running Time: One Sings, the Other Doesn't. Buy at Amazon. One Sings, the Other Doesn't is at times very funny and at other times very angry and covers a long list of other emotions in between. One Sings, the Other Doesn’t. The photographer commits suicide and Suzanne moves away to live with her parents on their farm. The latter was one of the saddest movies ever made, following painfully shy Pomme's downward spiral into dejection, whereas the Pomme in this Agnès Varda-directed work not only knew her own mind and was comfortable in her own skin, she was no shrinking violet, she was woman, hear her roar - in a very nineteen-seventies fashion, to boot. Ten years later, they reunite at a demonstration and pledge to keep in touch via postcard, as each of their lives is irrevocably changed by the women’s liberation movement. Jump to navigation Jump to search. Film Download PDF . The fact that some have felt the need to assign her a specifically feminine role, and the confusion over how to characterize that role, speak to just how unique her place in this hallowed cinematic movement—defined by such decidedly masculine artists as Jean-Luc Godard and François Truffaut—is. With Thérèse Liotard, Valérie Mairesse, Robert Dadiès, Mona Mairesse. One Sings, the Other Doesn't (French: L'une chante, l'autre pas) is a 1977 French film written and directed by Agnès Varda that focuses on the lives of two women against the backdrop of the Women's Movement in 1970s France. Varda’s feminist musical—with lyrics by the director—concerns the bond of sisterhood felt by Pomme (Valérie Mairesse) and Suzanne (Thérèse Liotard) throughout years of changes and fraught relationships with men. Suzanne leaves the farm and opens a family planning clinic in Hyères, where she marries a local doctor. Speaking in a DVD interview on Le Bonheur, Agnes Varda described the film as being a worm inside an apple, but it might be an image equally valid to the rest of her work also. Charting the personal and political (and fashion) changes in two French women’s lives from the early 1960s to the mid-70s, One Sings … Roger Ebert, awarded the film four out of four stars and praised the film for it's simplicity, it's portrayal of the leading female characters' friendship and Varda's direction: The Howie Mandel Show (TV Series 1998–1999) | Crime Doctor's Man Hunt (1946) | Waxwork (1988) | The Big Lez Show (TV Series 2012–2019) | Mees Kees (TV Series 2017–2018) | Gwen Adolph | Soad Nasr, L'une chante l'autre pas (original title). Movie rating: 7.2 / 10 (1128) Directed by: Agnès Varda. Ratings & Reviews. Writer credits: Agnès Varda. Become a Member Agnès Varda’s unsung feminist anthem is both a buoyant chronicle of a transformative friendship and an empowering vision of universal sisterhood. One Sings, the Other Doesn’t. Watch One Sings, the Other Doesn't online. They lose contact but meet again ten years later. At its core, though, it's a love story. Pomme lends Suzanne the money for an illegal abortion, but a sudden tragedy soon separates them. Though not widely seen, the film got her commissions to make several documentaries in the late fifties. One Sings, the Other Doesn’t (L’une Chante, l’Autre Pas). The producer of our edition of Agnès Varda’s feminist musical explores the film’s roots in the women’s movement and how the director achieved its warm, playful tone. In the early 1960s in Paris, two young women become friends.